TOMAS
BODIN
“I Am”
|
Label: InsideOut Music |
Release
date: June 27th 2005 |
|
Cat. #: SPV 085-48342/ IOMCD209 |
Barcode: 693723483429 |
Music Style: Progressive Rock
Tracklisting:
1. I 23:12 - 2. A 21:18 - 3. M 18:43
Line-Up:
Tomas Bodin - keyboards
Jonas Reingold - bass
Marcus Liliequist - drums
Jocke JJ Marsh - guitars
Anders Jansson - vocals
Pernilla Bodin - vocals
Helene Schönning - vocals
Info:
Tomas
Bodin is best known for being the keyboardist for Swedish progressive rock
favourites The Flower Kings. In addition to that role, he is also an extremely
competent composer and skilful instrumentalist as he ably displays with the
release of his fourth solo album “I Am”. Having released solely instrumental
albums in the past, he surprises fans this time out with a brilliant prog rock
opera which began life as a means of personal self discovery.
“‘I Am‘ is a story about man’s time on earth“, tells Bodin. “Part of
it is based on things I have experienced myself. It’s a story about
philosophical and religious themes and finally about reincarnation. I believe
that every human being at some point asks the questions, ‘Will it have a good
ending?‘, ‘Who am I?‘ or ‘Will I live on eternally?‘. First of all the
album was intended as something personal for me to help me realise several
things for myself. I needed to get it out of my system. Then I saw that I could
transfer my thoughts into art and make it available to other people and possibly
make these thoughts significant.“
And so the project was underway. Together with fellow band mates Jonas Reingold
on bass, and new Flower Kings drummer Marcus Liliequist, Bodin enlisted the help
of guitarist Jocke JJ Marsh of the Glenn Hughes Band and vocalists Anders
Jansson, Pernilla Bodin, and Helene Schönning. ”For me this meant a whole new
kind of work process”, tells Bodin. “For the first time I had to think in
terms of verses and choruses yet I wanted to keep it progressive. I had already
written music to act as the backdrop for a complex story but it became hard work
to translate some of my ideas into emotions that could be relayed by vocalists.
However, it became a creative exchange, temporary disagreements often lead to
new ideas. So all the time there was this dynamic interplay.”
The result is quite possibly one of the most ambitious and complex rock operas
ever released – consisting of three long suites (of around 20 minutes each),
divided into several chapters. To describe the music itself in greater detail
would only do this masterpiece a disservice. Suffice to say, this time out Tomas
Bodin has excelled himself and demands the utmost respect from listeners.
There are moments on the album that remind the listener at times of Bodin’s
“Pinup Guru” album with its complex trio led passages that reflect early
Emerson, Lake & Palmer. Virtuoso musicianship all vying for recognition in a
flurry of nimble fingered technique. It’s easy to be captivated by guitar and
keyboard solos that are both technically perfect and also emotionally dramatic.
Cream influenced blues rock sits comfortably alongside Crimson-like complicated
jazz rock. Beautiful piano passages work their way throughout the album,
occasionally dominating and at other times accompanied by vocals that conjure up
the serenity of Pink Floyd at their most powerful.
Despite the fullness of creativity and energy within, “I Am“ remains an
album with a fascinating story to tell, which keeps the listener enthralled.
However, one has to persevere and continue to look at it from different
perspectives. One must “read“ it several times before grasping its full
implications and splendour.
Last
Update: Sunday, 19. June 2005
created in September 2002 © by Sonny